Program
Pushpanjali is the first dance in a bharathanatyam performance. Pushpanjali is an item where the artist offers her salutations to God, Guru, and the audience. This is a warm up item where the artist prepares the body for the next few hours of vigorous performance. It is the salutation to the lord of dance Nataraja, the Guru, the musicians and the audience. It is made up of 2 words. Pushpa means flower, anjali means salutation. The dancer holds flowers to offer prayers to the Trinity of God's, goddesses, ashta dikpalakas, and scholars in dance.
Raga: Naadhaswaravali Tala: Adi
This song is in praise of the elephant headed God, Ganesha, the remover of all obstacles. Twelve names of Ganesha are mentioned in this song: the Lord (1) with the curved trunk, (2) with only one tusk, (3) with black eyes, (4) with giant structure, (5) with a big stomach, (6) with a huge body, (7) the remover of obstacles, (8) with smoke gray color, (9) with moon on the front of his head, (10) the foremost leader, (11) the leader of the ganas and, (12) the one with elephant face.
Raga: Revathi Tala: Adi
Alarippu is the simplest piece in a Bharatanatyam recital. Alar means ‘to bloom’ and Alarippu means ‘flowering’. It comprises a set of movements, without any meaning or expression. The movements are performed for syllables set for a Tala (rhythm). This unique Alaripu has all the five jaathis or rhythm cycles – Tishra (3), Chatushra(4), Khanda(5), Mishra(7) and Sankeerna(9).
Tala: Talamalika
This is another item of Nritta (dance) where the movements will not convey any meaning or theme. The steps are more complex than the previous item. Unlike Alarippu, Jatiswaram is performed to the accompaniment of rhythmic syllables and musical notes of a Raga (melody). The composition can have amazing postures and teermanas or muktayas (ending of a jati or rhythmic sequence).
Raga: Aarabhi Tala: Adi
Varnam is the item where the dancer is tested on her capacity to perform Abhinaya (expression) and Nritta (dance). This can be treated as a benchmark to judge the artist's talent. The item will contain many complex steps, and will have room for expressions. To perform this item, the dancer needs to have a lot of stamina and concentration. The lyrics can be in praise of a god, a king or a lover. This varnam is in praise of Lord Shiva
Raga: Natakuranji Tala: Adi
She who was born out of the soul and fire,
She who has the form of Om and the seven notes,
She who enjoys music of Veena as well as dances,
She who is the passionate lady of Hari kesha
I salute you Mother Durga
Raga: Navarasa Kannada Tala-Adi
Abhanga is a form of devotional poetry sung to praise the Hindu god Vitthal, also known as Vithoba. The song Brindavani Venu is a devotional song in praise of Lord Krishna. The lyrics praise the sound of Krishna's flute, which every one who hears it. The first two lines of the song describe the enchanting sound of Krishna's flute, which echoes throughout the forests of Vrindavan. The lyrics also mention the sounds of cowbells and the peacock's feathers rustling. The third stanza describes the effect the sound of the flute has on nature. The grass stops swaying, the cows and tigers stand still, and the birds sit quietly on the trees, forgetting all their animosity towards each other. This imagery symbolizes how the sound of Krishna's flute has the power to create a peaceful and harmonious environment. The song's final stanza praises the beauty of the scene surrounding Lord Krishna. The river Yamuna flows serenely, and the sun and moon stand still. The turtle, boar, and snake gaze upon Krishna, and even the calves forget to suckle milk from their mothers when they see Him. Overall, the song encourages the listener to see Lord Krishna as an embodiment of peace and harmony and immerse themselves in His presence's beauty.
Raga: Bhimpalas Tala: Adi
This is usually the last item in any Bharatanatyam performance. Thillana is a dance of exuberant joy and full of rhythmic movements and postures. It typically also has complicated Muktayas or Sholkattu, ending of any step or aduvu. Thillana is mainly a Nritta piece, which might have a charana, meaningful lyrics for which Abhinaya (facial expressions) are choreographed. This Thillana is in praise of Lord Krishna
Raga: Kadanakutuhala Tala: Adi
The Bharatanatyam recital concludes with the Mangalam- meaning an auspicious ending. Here, the dancers do Namaskaram (salutation) to the Gods, the Guru and the audience to conclude the recital.
The "Mangalam" chant is about the blessedness of the whole world:
Bhumi mangalam / Udaka mangalam / Agni mangalam / Vayu mangalam / Gagana mangalam / Surya mangalam / Chandra mangalam / Jagat Mangalam / Jiva mangalam / Deha mangalam / Mano mangalam / Atma mangalam / Sarva mangalam bhavatu bhavatu bhavatu.
Blessed (mangalam) is the earth (bhumi), water (udaka), fire (agni), wind (vayu), sky (gagana), sun (surya), the moon (chandra), our planet (jagat), life (jiva), the body (deha), the mind (mano), the spirit (atma) - everything (sarva) is blessed, let it be (bhavatu).